Filmme Fatale was founded in 2009 by Maja Uzelac, director, and Mirjana Tomic, producer, as a company dedicated to supporting talented filmmakers from the Balkans and to promoting contemporary Serbian art and culture. It’s aim is to gather authors, professionals and producers from the region and greater Europe in order to create a new and unique image of Balkan and European film. General Manager is Mirjana Tomic, the most relevant film experience is her last job – executive producer and line producer of the feature film Carlston za Ognjenku by Uros Stojanovic, (international title: Tears for Sale, Charleston & Vendetta), the most expensive and most demanding in terms of production Serbian film ever (2008. production: Blue Pen, world sale: EuropaCorp). Filmme Fatale, recognizable for fresh, brave, modern spirit currently has three on-going projects: feature film Blue Blood by Maja Uzelac (in preproduction), feature film “Children of the winter sun” by Antonio Mitrikeski, script Gordan Mihic – co producer and executive producer, preproduction (coproduction of Macedonia, Poland, Serbia) and feature documentary film Awakening by Irena Fabri, in postproduction. We are building partnerships that gives us possibility to offer the best professional and technical standards and to have a whole production process in in-house capacities. Filmme Fatale also has editing facilities and VFX studio.

The Filmmuseum is Holland's museum for cinematography. The museum's collection of films covers the whole of the history of cinema from the very first silent films, dating from the late 19th century, up to the latest contemporary digital productions. This internationally renowned collection, to which many Dutch and foreign titles are regularly added, is the source of inspiration for the museum's film programmes, exhibitions and events. Every year, there are major thematic programmes examining the history of film and contemporary cinematographic developments. In addition, the museum organises open-air screenings, festivals, theatrical family shows and retrospectives. The Filmmuseum houses the largest film library in the Netherlands. The museum also acts as distributor of classics and contemporary, independent films. The museum has a collection that includes 46,000 film titles, 35,000 posters and 450,000 photographs.

The Munich Film Museum was established in 1963 as part of the Münchner Stadtmuseum. It runs its own cinema, collects and restores films that are significant in the context of German and international film history, and it functions as a centre of scholarly research.

Filmmuzeum television is a retrospective channel founded by Hungarian investors. It started broadcasting in November 2000 aiming to present the permanent values of motion picture history. Filmmuzeum´s 24 hour daily program originally consisted of old Hungarian films and TV shows only, but from January 2003 besides its own productions and documentaries the channel started to present the masterpieces of international film history as well. The program is divided into six different, easily identifiable line-ups. These are: Film Museum, Sports Museum, Humour museum, Music Museum, Filmmuseum at Night.

Distributor

The Canary Islands Film Archive is dedicated to the protection, preservation and promotion of the film heritage. The archive is active in three areas: 1 Collection of films and film-related materials that are relevant to the region of the Canary Islands; 2 Preservation and documentation of films, the archive has currently approx. 1,500 titles; 3 Exhibition of films that have a high aesthetic quality.

The Andalusian Film Archive was established in 1987 from the initiative of the Cultural Division of the Andalusian Government. The task of the archive is to research, collect and exhibit Andalusian film heritage. The archive also cooperates with other similar institutions, organizes film screenings and offers other services both to experts and the public.

The task of the Catalonian Film Archive is to promote and protect film culture along with all other significant audiovisual works and related materials.

The Spanish Cinematheque was established in 1953. Its mission is to collect, protect and research Spanish films and to raise public awareness about the Spanish audiovisual heritage. The archive maintains an extensive film collection which is the focus of the institution. Currently, the archive holds an estimated 70,000 films, 35,000 film titles, approx. a half of which are Spanish productions. Apart from its film deposits, Filmoteca Española also has a large collection of film-related materials, such as books, posters, photographs and technical equipment.

Filmoteca Vasca / Euskadiko Filmategia was created in 1978. The task of the Basque Film Archive is to carry out research, documentation and preservation of audiovisual works by Basque filmmakers.

Production company

Fresh, new company focuses on shorts, docs and international coproductions.

The festival is organized by Kinoklub Ostrov in cooperation with MKZ Litoměřice, AČFK, SFÚ, Goethe Institute and People in Need and offers a selection of classics, shorts, festival winners, student films, documentary films and retrospectives and animated films. The programme also includes music concerts and theatre performances. Every year the programme is centered around a specific theme.

This monthly for film and video is the longest published Czech film periodical. It first appeared in the year 1939 under the name Film files and provided fundamental information on individual film titles which was meant especially for cinema managers and operators. Since 1950 its name has been Filmový přehled (Film overview) and is still designed for all people from the cinematography field as well as for anyone interested in film. It deals comprehensively with Czech (formerly Czechoslovak) film distribution. Since 1993 it has been issued by the National Film Archive. In succint form the periodical provides detailed information on all titles in the Czech distribution and occasionally also on titles from the video market production. Each text about a particular title brings complete technical data including the production staff and cast, next a short assessment, a concise content of the film and finally the filmography of one of its makers. In Filmový přehled there are also regularly appearing sections concerning statistical data on film market both in our country and abroad, various charts and tables, synopses of domestic and foreign festivals, information about various film events or film literature. An important section brings obituaries of domestic and foreign film makers. The format of the journal is also unique. It is published in size A5 lengthwise without any photographs. Individual titles are arranged alphabetically and printed on one sheet each, which makes it possible to use them as filing cards. So the reader can 'work' with the periodical according to their individual needs. The importance of the periodical lies not only in its topicality and detailed information but also in its archival value.

Production company

FILMPARTNERS is a creative production Co., which since 1993 has played a prominent role in the dynamically developing Hungarian advertising, movie and television market. The agency employs the best talent within the industry and aims to meet all the needs of its clients both from a production and a creative point of view.

Filmplus Ltd. was founded in 1991 and since then had become one of the leading production companies in Hungary. It is unique and diverse, having earned prestigious reputation in the production of feature films, documentaries, TV shows, commercials, and music videos. Filmplus is the member of the Hungarian Independent Producers Association (HIP) and the Association of Hungarian Commercial Production Companies (P.R.O.C.). Profile: - Production of Features, TVCs, Documentaries, Music Videos, Television Programs - Film & video camera rental - Digital post-production facilities

Production company

Filmpool Nord Ltd. is the northernmost regional fund for film and television production in Sweden, located in Luleå, Northern Sweden. We fund and co-produce short fiction, documentaries, feature films and TV series. In addition, Filmpool Nord Ltd. is a regional resource centre for media literacy and distribution. The Swedish Lapland Film Commission (SLFC) is also a part of Filmpool Nord Ltd. The Film Commission promote the region as a national and international film location and provide services to production teams shooting in the region. Filmpool Nord has always worked with a variety of projects, where each project addresses a specific development area within the audiovisual industry. At the moment Filmpool Nord heads up Filmpool Nord Development and FilmArc 2.0. Filmpool Nord began work in 1992 and was one of the first regional resource centres in Sweden, later also becoming a regional production centre. The annual turnover is approximately 4,1 million euros.

Filmpool Stockholm-Mälardalen is a regional production centre for film production that works to stimulate the film industry in the Stockholm region. The organization consists of three parts: Film investing (co-production, funding), Development (seminars, conferences, education, networking), Film commission (marketing, promotion, cooperation between foreign and Swedish producers).