The Royal Photographic Society has among its members also films and video professionals.

The Austrian Regulatory Authority for Broadcasting and Telecommunications (RTR-GmbH) was established as the operative arm of KommAustria as well as the Telekom Control Commission to create a convergence regulator under the KommAustria Act (KOG) of April 1, 2001. The tasks of the RTR include the following: Definition of standard payment rates for the right to use land for telecommunication lines, assigning and monitoring the use of communications parameters (e.g., telephone numbers), administration and awarding of grants from the Austrian Digitization Fund and the Austrian Television Endowment. The Television Fund (FERNSEHFONDS AUSTRIA) is intended to make a contribution to improving the quality of television production and the capacity of the Austrian film industry, as well as reinforcing Austria as a media location and ensuring the diversity of the cultural landscape. In addition, the grants are also intended to contribute to the strengthening of the audiovisual sector in Europe.

Belgium's royalty collecting society that represents authors, composers and publishers.

Partner associations that represent and protect author rights related to a variety of artistic works: SACD (fiction - theatre, music, dance, film, TV, radio, interactive content); SCAM (documentary content - audiovisual, multimedia, radio + literature + illustration, images).

sagasnet is building a network for European professionals engaged in the content development for interactive digital media. One main activity focuses on supporting individual creative professionals to find appropriate team members and producers necessary for the further development of their content concept. Therefore sagasnet has established a database of European professionals willing to join such a network.

SAMI was founded in 1963 from the initiative of the Swedish Musicians Union and the Swedish Actors Union to administer the rights of performing artists. SAMI carries out its activities in close co-operation with its fellow organizations in other countries, and with the International Federation of Musicians (FIM) and the International Federation of Actors (FIA).

Association of Danish film clubs

Fields of activities: Protection and collective management of Slovak and foreign producers’ rights , and owners and managers of copyrights in Slovak audiovision based on licenses for the excution of collective management according to laws on copyright. Cooperation with European organizations and institutions such as AGICOA, Eurocopya, FIAPF, and producers‘ associations worldwide. Support of presentations of Slovak producers‘ projects in Slovakia and abroad. Development, cooperation, and preparation of a new support system. Representation of Slovak cinematography abroad.

The Association of Greek Independent Audiovisual Producers (S.A.P.O.E.) was founded in 1975, initially named S.P.E.T. (Association of Greek Television Producers). SAPOE has more than 90 listed members, being the most representative trade union agent for the independent producers in the country.

Founded in 1948, the Institution for Cultural-Artistic Programs has worked the longest on the organization of musical and musical-dramatic programs in Bosnia and Herzegovina. Since 1999, the institution has been referred to by a new name, Sarajevo Arts Agency – Public institution for the Organization of Cultural Events and International Cooperation in the Field of Culture. Its founder was the Sarajevo Canton.

SCCA produces and organizes numerous exhibitions, art actions, workshops, seminars, lectures and presentations in Sarajevo, Bosnia and Herzegovina and abroad| the Center supports the production of artworks, produces a number of multimedia works, publishes catalogues and other art publications, and assembles art documentation.

The Sardinia Film Commission promotes the audiovisual industry in the region as well as international productions; it provides favourable conditions for production companies, contacts for local institutions and film professionals, assists in finding locations, etc.

The goal of the Association represent the interests of its members, develop the industry potential and to raise the general image of the industry. SATU promotes education for its members and also acts to promote international connections for its members. These goals are achieved in cooperation with the audiovisual content production field and its interest groups, both in Finland and abroad, by organizing meetings, educational programmes, publishing and PR activities.

Provides information about and for screenwriters.

The Scottish Documentary Institute was set up in 2004 with a major grant from the Edinburgh College of Art. It aims to create a synergy between the practice and study of documentary film, to link industry and academia - in Scotland, the UK and internationally. The Institute organises public talks, screenings and seminars; and runs production and training initiatives (Bridging the Gap, AfricaDoc, Constructing Reality) for new filmmakers. SDI houses Docspace, a research hub which analyses and promotes digital documentary exhibition and studies new technology and cinema audiences.

Screen Archive South East is a public sector moving image archive serving the South East of England. Established in 1992 at the University of Brighton as the South East Film & Video Archive, the function of this regional screen archive is to locate, collect, preserve, provide access to and promote screen material related to the South East and of general relevance to screen history.

The Screenwriters' Guild of Germany (Verband Deutscher Drehbuchautoren e.V.) was established more than 20 years ago and today remains as dynamic and progressive as ever. With its steadily increasing membership, the Guild enjoys a well-earned reputation for its expertise within the German film industry. Not only screenwriters benefit from the Guild's experience and know-how. Producers, networks and politicians also seek its advice.

Schweizerische Gesellschaft Chefkameraleute / Swiss Cinematographers' Society - founded in 1996.

Sdružení autorů animovaného filmu - Association of Czech Creators of Animated Films

Seize the Media is a market leading transmedia production company dedicated to the development, production, distribution and marketing of transmedia works and is proud to be producing Transmedia Next. Seize the Media develops original transmedia programs on a global scale across a range of genres, as well as providing creative services, consulting and production assistance to media companies in support of their transmedia strategies. Seize the Media also develops and manages a portfolio of technology and support services to facilitate the execution and administration of transmedia works.

Copyright collecting societies: SEKAM is a non-profit organisation for collective copyright collection on behalf of production companies that own the rights of the audiovisual works they have produced. It handles only cable retransmission royalties. VEVAM is a collecting society of makers or authors, writers, directors and producers, persons whom enjoy copyright in films they made. SEKAM VIDEO is a similar non profit organisation specialised in collecting and distributing blank tape levy fees.

The association was founded in 1986 and currently has 99 members. The purpose of SELO is to improve conditions for the work of directors, to promote Finnish cinema, and to oversee the professional interests of its members. SELO is a member of Kopiosto.

Semfilm aims: * to offer a platform for young authors that would help them to carry out their artistic and audiovisual projects, * to support the production of engaged films and their screenings - with the help of the festival Ciné droit libre, * to create a database of films that focus on human rights issues in Africa. Semfilms wants to make the citizens familiar with their right and duties and initiate dialogue. Film are one of the means that can help to show the world as it is.

The task of SENA is to represent the material and immaterial interests of performers and producers in respect of the exercise and maintenance of their neighbouring rights.

Founded in 1963, the Swedish Film Institute plays a leading role in Swedish cinema. Its aims include the promotion, support and development of film in its cultural and broader contexts, the allocation of grants for the production, distribution and public showing of Swedish films at home, and the promotion for Swedish cinema at international level. The Institute is also extensively involved in the preservation and promotion of Sweden’s cinematic heritage.