Golden Prague - International Television Festival one of the oldest and most prestigious television festivals: its first edition was held in 1964. Only Prix Italia (established 1949) and Monte Carlo and Montreaux (both established in 1961) can boast with longer tradition.

Bulgarian feature, short and experimental films.

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For me Gone Fishing means throwing my camera bag over my shoulder and go and tease the world. The films I create are mixtures of still photographs and moving images. All these blended together with live sound recorded on location. I then become a photographer-cameraman-soundman.

Good Hope Films, LLC came about as a collaborative effort between Russian and American filmmakers dedicated to telling compelling stories to foster understanding between our two nations. The company keeps offices in Moscow and Los Angeles and has immediate access to cutting edge talent, technical infrastructure, and financing necessary to see projects effectively through to completion. Company founding members count between themselves dozens of successfully completed projects with budgets varying from ten thousand to ten million dollars.

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Since 1998 GIFF in cooperation with SIDA (Swedish International Development Cooperation Agency) runs the Göteborg International Film Festival Fund. It is a fund that supports filmmakers who live and work in emerging economies. The Fund provides development support, post-production support and technical assistance.

The Göteborg Film Festival is the biggest public film festival in Scandinavia. Each year, some 400 films are screened for 110 000 visitors. Additionally, some 60 film related seminars attract roughly 5000 visitors. The aim of the festival is today two-fold. It is an annual opportunity to offer interested viewers a broad program of films that not always reach the cinemas. It is also a meeting place for the Nordic film industry. In 2000 the festival established a market place for Nordic film. The ambition was to strengthen the role of the festival as a Nordic meeting place and to be the interational link to new Nordic films. During four days, new films are screened for an international group of buyers, distributors and festival representatives. The market place, which runs parallel to the ordinary festival, is called the Nordic Film Market and hosts 130-140 specially invited guests each year. It is today the biggest single market place for Nordic films.

The commission works to promote Gotland as an attractive film location with excellent technical and professional infrastructure.

The Gotland Film Fund invests in the production and coproduction of short, documentary and feature films.

The Göttingen International Ethnographic Film Festival is a biennial event. It is open to all filmmakers, but especially those from enthropology, anthropology, sociology, folklore and neighbouring disciplines. It provides a great opportunity for international co-operation in Visual Anthropology and documentary filmmaking. The general aim of the festival is to promote documentary cinema in the context of intra- and intercultural communication and to give credit to new films, videos or interactive media dealing with anthropology, sociology and cultural studies in a wide sense of the term. Organised as an event in the heart of Europe, media from Central and Eastern Europe will be accepted with particular interest.

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Graal was founded in 1999 and is the only Athens-based digital intermediate post production company in Athens with services covering offline and online editing, compositing, 3-D animation, color correction, digital film recording, sound mixing and design, graphic design, DVD authoring and design. Graal is now de facto the only post house facility in Greece and the Balkans with a scanner and color grading system of integrated DI, which allows the seamless workflow of projects, performance and service. Graal’s productions include: “The Wake”, “Breaking In”, “Athens-Istanbul”, “Delivery”, “Hostage”, “Testosterone”, “Oxygen”, “Psyxraimia”, “False Alarm”, “The night that Fernando Pessoa met Konstantinos Kavafis”, “Sirens in the Aegean”, “Chariton’s Choir”.

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Founded in 2004 in Turin as a company devoted to the production of creative documentaries, GraffitiDoc has conquered a solid reputation even outside Italian borders, as a leading production company in terms of choice of subject and authors and of quality content. Already in its earliest works, GraffitiDoc developed international projects in collaboration with some of the best production companies in the European market. GraffitiDoc is active in the production of documentaries appreciated by major TV channels such as ARTE, RAI, TSR, RSI, RTBF, SBS, SVT, YLE, Planète, History Channel, and selected in prestigious festivals (Annécy, Lisbon, Barcelona…). After years spent creating a solid filmography and dedicated to a continuous growth through experience and training, GraffitiDoc has recently opened new directions of work, both towards innovation and new media ("2rin content" cluster, project "Europe for sale"), and in the direction of fiction, with the first feature film of the Belgian director Patric Jean, "Breaking Free", developed within the PW of EAVE 2011. GraffitiDoc is a member of Aprodoc, Doc/It, EDN, Reelisors, participated to Eurodoc in 2003-04 and is present every year at numerous international festivals and markets such as Cannes, Berlin, Sunny Side of the Doc (La Rochelle), IDFA (Amsterdam), HotDocs (Toronto).