DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Bussink Astrid

The Angelmakers
The Angelmakers is an observational portrait of a small, sleepy village in a rural Hungary. We meet its inhabitants, who share with us their daily life as well as their memories of the village's tainted past. Gradually, we discover the extent of the 'arsenic murders' that were discovered in 1929, when a large group of women from the village were arrested for poisoning their husbands with arsenic. Rather than presenting the historic facts, the film shows us how the villagers remember the events and how they reflect on them. We meet 93-years old Rosika, who shows us her pantry where one of the murderers hung herself, and a Danceclub Surprise - a group of ladies who had to fight for the right to dance, and who tell us about their domestic struggles. The villagers' stories give us a better insight into the circumstances surrounding the murders, as well as an insight into the ongoing male-female saga.

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