DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Fruhauf Siegfried A.

Structural Filmwaste. Dissolution1
The first part of Structural filmwaste seems to be a reaction to the aesthetic methods of past Austrian avant-garde films: Leftover footage (Ernst Schmidt Jr.) was put together according to rigid plans (Kurt Kren) and shown in a split screen, one panel delayed slightly.

Structural Filmwaste. Dissolution2
Structual Filmwaste. Dissolution 2 is the continuation of investigations into the fragmentation of time and images through video. It also represents an attempt to reveal the material nature of this vehicle of illusions.

Mirror Mechanics
The film as a mirror and, consequentlially, phenomenon of identification primarily inherent in feature films, condense to a type of essence of film`s potential. This reports on cinema and the processes within it.

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