- Occupation
Producer - Country
Poland
Janowska Agnieszka
A group of supernatural phenomena aficionados comes to a small town Wylatowo (Takeoffville). Just like every year, they expect extraordinary signs to appear in the grain field. One of the investigators was almost kidnapped by a UFO. Yet he doesn't give up and he tries at any cost to prove the extraterrestrials' existence.
The Last Day of Summer
Almost everyone would like to turn back the hand of time and once again become a child. Why do we come back to those years with such nostalgia? When does the childhood end and when does the adulthood start ? What do we loose when our childhood comes to an end? “The Last Day of Summer” is an emotional journey to the times of childhood and a story about difficulties of entering the world of adults. The film consists of 5 parts. Each of them presents a cadet in different age and his ordinary day. It starts from the youngest one that is 7 and finishes with the oldest one that is 17. Within one hour we show how the cadets’ life changes together with their age. Apart from everyday activities we would like to show some interesting events and behaviors typical for cadets at different age ( e.g.: the first day at school – a 7 year old boy, the first date with a girl – a 15 year old boy). We want to take a closer look at the relations between peers, between children and adults (teachers, parents) to see what are the stages of growing up, how do they differ and what is typical for different age groups. During 50 minutes of the film we observe the process of growing up – from 7 year old kid who learns how to read to a 17 year old graduate who has to decide about his future. This film is a journey to the times of childhood. The first and the youngest characters are to recall our memories from those times, which will allow us to identify with them.
La Machina
Somewhere in the South of France a boy and an older man live: Sergio – a Master Dollmaker and Adrien – his disciple. They will begin their journey for the first time this summer. They will meet cheerful and fascinating residents of colourful towns. "La machina" is a story of this travel, a story about the meetings, a story about a relation between the master and the disciple. Sergio Dotti is one of the last Master Dollmakers in France. Once, after the show Sergio met a nine-year-old boy called Adrien. The boy had been so interested in the performance that he came back the following day to be in this magic world again. Travelling together from town to town, they will show the world of imagination to children and adults.
Gugara
It is late summer of 2006. Within the last few weeks, Dimitri and Tatiana, last herdsmen alive in the Taiga, have lost their reindeer, which were killed by wolves. This misfortune is going to force them to leave their life in the forest for the village. Their oldest son, Kola, already lives there. Kola is trying to prevent his parents from settling in Tutonchany village. He knows they are going to die there. He knows what happens to the old man nicknamed "Boatswain" who was in the same situation few years ago. This is the story of the decline of a small Siberian community. This observative documentary describes the paradoxical world of former nomads and reindeer herds that were forced to abandon their ancient life-ways. Characters of the film are on the different stages of forsaking world which was known us traditional way of life.
The First Day
It's a story about one of the most important moments in everybody's life. About the first border young people have to cross to become adults. In this film it's a few children from tundra moved to the urban environment. This film was made within Russian-Polish cooperation on New Gaze project (second edition).
10 Years to Nashville
Iza is a 33 year-old cleaning lady in a Polish railway station. Her friend Mariusz owns a railway toilet. Together, they dream of traveling to America, to Manhattan and then to Nashville, to see "country music USA." Iza loves country music and dreams of performing in front of a Nashville audience. But she and Mariusz do not speak English, their knowledge of foreign countries is weak, and they are comically naive. Yet their optimism and determination is worth admiration. This is a story about dreams, and about two outsiders for whom the journey becomes an important path to self-awareness.
KwieKulik
Zofia Kulik has fulfilled her dream: her work, an autobiography “Splendour of Myself” was exhibited next to the Rembrandt´s paintings during the famous exhibition Documenta XII in Kassel. She is at the top of her carrier but she decides to give up her individual work to create a great archive of the works, that she produced together with life and artistic partner Przemysław Kwiek between 1971-1987. They both still create but they work and exhibit their works separately. Apart from the precious archive including thousands of negatives, slides and films showing their art, one more thing connects Zofia and Przemysław. It is their son, whom they included in their radical artistic activities when he was a child.
Far from the City
A group of boys stays in the countryside for the summer, far away from the hustle and bustle of the city. Bored, they spend time talking about their future adult life and make a film. It brings back the memories of childhood holidays that lasted forever. There was enough time to do anything: sleep in a tent or talk about ghosts at night. "They are just a different race", as one of the protagonists says. The boys are still immature - they can still have a serious discussion about the Bermuda Triangle.
Marta, young fat woman strives to find acceptance, love, and ultimately, a permanent life partner and i order to achieve this created a so called FWFLM (“Fat Women Liberation Movement”) which changed her life… Imagine a food store and a short, fat young woman whose name is Marta sneaking in with a pink envelope in her hand. The envelope contains a letter she has just written… Marta stands on her toes, puts the envelope on the counter… and runs away. This is a scene that I remember from Marta’s diary, which I found on her webb.site: XL-pozytywnie.pl. where we can read than being fat is considered positive. Sorry, not being “fat” but… “fluffy” because everything published there must sound positive. The film which we want to make about Marta and her activity is not going to be another sad tale about the problems of fat people. It is a success story of a strong woman turning her weakness into strength. Had she lived 20 or 30 years ago, she would’ve been a Commissar, running a Party Organisation in Communist Poland. Today she is the head of the so called, Fat Women Liberation Movement she has created. The web-page www.XL-pozytywnie was started and is being run by Marta in order to reach fluffy people all over Poland. There are articles about health, medical treatment, shops with food and clothing for fluffy people, fashion, an internet chat and forum where people can get to know each other and exchange information about their troubles. It seems the most difficult problems fat, young women face is when they start adult life and encounter emotional and sexual challenges. We find all this described very frankly in Marta’s intimate diary published on the page. She writes about her problems with puberty and difficulties in her teenage years also the emotional rejection by her father who did not want to have a fat daughter. Seeking love and acceptance she started dating boys and soon she discovered that it always ended the same way - as a one night stand with a bitter taste after Neither special diets nor starving or fasting helped – her body stayed fat. And finally she managed to persuade herself to accept herself and her body. The recipe is simple: you have to like yourself – your body is beautiful whether it is fat or thin. Soon she had a “normal” i.e. slim boy-friend, got pregnant but found that the man she lived with was not ideal. They split up. And one day, shopping in a food store Marta saw a plump young man, Ernest - and fell in love with him. She understood that she had found what she had been looking for, for a long time. She decided she wanted to marry him. She wrote him a love letter and started dating Ernest, hiding from him that she was pregnant... Her fatness helped her once more. She pretended to go abroad and gave birth to a child. And then she plucked up courage and explained everything to Ernest… and they started living together and got married. But Marta is a born leader so she cannot live only as a wife and mother. She helps other fluffy women to improve their quality of life. She teaches them how to avoid problems or to solve them. She invented a special therapy called photo-therapy. She takes a girl who believes that she is completely unattractive, dresses her beautifully, makes her up and takes photographs, Then she publishes them on the webb.site – and this helps the duckling to become a beautiful swan. She organizes fashion shows for fat women and plans for her webb.site to be in Eglish also. This will help her to establish international contacts with similar organizations and individual fluffy people in neighboring countries. The problem of fatness is common for all the post-communist states that entered the free market economy. People suddenly have access to all the food they want. Unfortunately this is often junk food and so the problem of obesity is becoming more widespread. One may ask why I – a slim man is tackling this issue. Can a thin man like myself ever understand the trauma of fluffy women? My answer is simple. Fat people are like us and they need love and tenderness as we do – and watching them we can see ourselves and our emotional problems more sharply and maybe learn how to solve them.
Inżynierska 5/41
03-410 Warsaw
Sienkiewicza 52/37
90-058 Łódź
39 P.O.Box
05-510 Konstancin - Jeziorna 1