- Occupation
Producer - Country
Czech Republic
Jindra Marek
Alda
The screenplay for this film is based on the writings of a person suffering from the Alzheimer's disease. The story of Mrs. O. is told through a combination of documentary film footage and her own videos from a hand-held digital camera since she records mini instructions for various daily activities, memories, thoughts and commentaries on various events, trying to prevent forgetting them later in the future. Through the individual story of a gradual memory loss, the film represents a metaphor of the memory loss of the whole society which is trying to forget the past events that determined its current status quo // All rights are with the producer FAMU - Film and TV School of the Academy of Performing Arts in Prague.
100 Days
Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.
Fighting the Brain
A threefold portrait, presenting the reality within the limits of a subjective view, puts together the lives of an increasingly more remote writer and musician; a hacker, dreaming his dream of transformation into a purely virtual existence in the depths of technology; and an undertaker, unrealistic raconteur, living on the history of half-mythical Sudetenland.
Love Sorry
Marcela wrote a book. It was originally to be about a boy who miraculously survived meningitis, but in the end it’s a love story about him and a girl – who was the director. She returned to the book fifteen years later and made a film about it. It was originally to be about how the media smoothed away the crudeness of a difficult story to an impressionable and simplified news report, but in the end it’s more of a reality show about the director and her mother – Marcela. – Department of documentary film, FAMU – 2nd year (feature etude).
That Old Lizard
When Zdenka Tomášková was 13 years old, she met poet Petr Bezruč for the first time. At the age of 16, she became his secretary of her own accord. After his death, she has not talked about him for 40 years. Now at the age of 90, she recalls him at her secluded cottage in the Beskydy mountains.
Hollows for Breasts
Imagine a timeline of an existence of a stone. How important is the life of a sculptor on this timeline? A meditative portrait of Pavel Opočenský.
The screenplay for this film is based on the writings of a person suffering from the Alzheimer's disease. The story of Mrs. O. is told through a combination of documentary film footage and her own videos from a hand-held digital camera since she records mini instructions for various daily activities, memories, thoughts and commentaries on various events, trying to prevent forgetting them later in the future. Through the individual story of a gradual memory loss, the film represents a metaphor of the memory loss of the whole society which is trying to forget the past events that determined its current status quo // All rights are with the producer FAMU - Film and TV School of the Academy of Performing Arts in Prague.
100 Days
Life is going on, people work and have children, out of love or out of lack of other motivation in life. As there is no God, the only certitude is 24 hours open Tesco hypermarket. 40 years ago, Apollo 11 landed on the the surface of the Moon. Next destination is Mars. No human project can go on without a hope of being completed in a reasonable time-limit. Maximal reasonable time-limit is the duration of a human life. What does fit into it? Béla, a retired Hungarian bio-molecular scientist is waiting for death. In the meantime, he has some things to say.
Fighting the Brain
A threefold portrait, presenting the reality within the limits of a subjective view, puts together the lives of an increasingly more remote writer and musician; a hacker, dreaming his dream of transformation into a purely virtual existence in the depths of technology; and an undertaker, unrealistic raconteur, living on the history of half-mythical Sudetenland.
Love Sorry
Marcela wrote a book. It was originally to be about a boy who miraculously survived meningitis, but in the end it’s a love story about him and a girl – who was the director. She returned to the book fifteen years later and made a film about it. It was originally to be about how the media smoothed away the crudeness of a difficult story to an impressionable and simplified news report, but in the end it’s more of a reality show about the director and her mother – Marcela. – Department of documentary film, FAMU – 2nd year (feature etude).
That Old Lizard
When Zdenka Tomášková was 13 years old, she met poet Petr Bezruč for the first time. At the age of 16, she became his secretary of her own accord. After his death, she has not talked about him for 40 years. Now at the age of 90, she recalls him at her secluded cottage in the Beskydy mountains.
Hollows for Breasts
Imagine a timeline of an existence of a stone. How important is the life of a sculptor on this timeline? A meditative portrait of Pavel Opočenský.
Hollows for breasts
Studio FAMU
Klimentská 4
110 00 Prague 1
Klimentská 4
110 00 Prague 1