- Occupation
Producer - Country
The Netherlands
Messemaker Cesar
Miss Universe 1929 - Lisl Goldarbeiter. A Queen In Wien
A film about the life of Lisl Goldarbeiter - the first and only Austrian Miss Universe - and her cousin Marci, who kept his camera trained on her throughout his life. A film about big-time fame and eternal love, set against the background of 1930s Vienna. Lisl Goldarbeiter's cousin, amateur filmmaker Marci Tenczer came from Szeged. He studied in Vienna, where he saved even his money for the tram to buy a camera and film and to pursue from time to time his passion for making films. It is through him that this bittersweet twentieth-century Austro-Hungarian life and family story has come down to us. Lisl, who grew up in Vienna in modest circumstances, first won the title of Miss Austria in 1929 at the Austrian beauty contest, finishing ahead of 600 other contestants. She finished second at the Miss Europe beauty contest in Paris, where the first Hungarian beauty queen, Böske Simon won. That year the beauty queens of the world set sail to the United States to compete against the American beauties in Texas. This is where Lisl was voted the first Miss Universe by a unanimous decision of the jury! Lisl, now suddenly world famous, received various invitations and an offer from Hollywood, and her company was sought after by many celebrities. She traveled extensively and, having rejected numerous suitors, finally married Fritz Spielmann, heir to a silk necktie fortune in Vienna. Marci Tenczer faithfully recorded it all on film. These golden years in Vienna came to an end when Hitler's Germany annexed Austria. They lost nearly everything in the war, and the adventure of suffering and life continued…
Simply Happy
A portrait of the generation of 'our parents' in the form of an unconventional documentary in which Dutch filmmaker Albert Wulffers and Hungarian filmmaker Péter Forgács look for the Dutch definition of family happiness in the Rotterdam post-war suburb Ommoord, utilizing 8mm films from the sixties made by amateur filmmakers living in Ommoord supplemented by quotations from interviews with these amateur filmmakers.
The Danube Exodus
In the travelogue The Danube Exodus,Forgács documents the Jewish exodus from Slovakia just before the beginning of World War II. In two boats, a group of nine hundred Slovak, Austrian Jews tried to reach the Black Sea via the river Danube, in order to get to Palestine from there. Forgács based his film on the amateur films of Captain Nándor Andrásovits, the captain of one of the boats. He filmed his passengers while they prayed, slept and even got married. At the end of this journey, it is clear that the boat will not return empty: a reverse exodus takes place, this time of repatriating Bessarabian Germans, fleeing to the Third Reich because of the Soviet invasion of Bessarabia.
El Perro Negro - Stories from the Spanish Civil War
El perro negro takes a clichés braking view of the Spanish Civil War trough a mesmerizing found footage collage. The saga begins in 1929 with the talented amateur filmmaker, Joan Salvans, son of a wealthy Catalan industrialist, of Terrassa. The Salvans were the object of admiration as one of the most successful wool manufacturer of Catalonia, but also of hatred by the emerging anarchists and socialist trade unionists. On 24 July 1936, six days after the Civil War broke out; a militant anarchist group led by 'Pedro el Cruel' kills Joan Salvans, filmmaker, and his father Francesc Salvans. A cyclist, not far from their house, finds their bodies 'La Barata'. Just about the same time when Joan's life unfortunately ends, a new saga of the other young clandestine filmmaker, Ernesto Noriega picks up the story line to guide us through his adventures. He is arrested and almost executed, but luckily survives and secretly film the prison and on way to Madrid. The twentieth century saw an unprecedented vitality of the Spanish spirit, but also an unpredictably sharp conflict between old and new, developed North and feudal South. What drove the anarchist 'Pedro el Cruel' to murder Salvans? And why did the Spanish army revolt against the Republic 1936? While searching for answers we travel through Spain's chaotic decade with the images and stories of several amateur filmmakers and their memories focusing on all sides of the front like republicans, anarchists, Communist, and the foreigner Brits, Germans, Italians, Americans, who fought on both side. El perro negro takes a clichés braking view of the Spanish Civil War trough a mesmerizing found footage collage. The saga begins in 1929 with the talented amateur filmmaker, Joan Salvans, son of a wealthy Catalan industrialist, of Terrassa. The Salvans were the object of admiration as one of the most successful wool manufacturer of Catalonia, but also of hatred by the emerging anarchists and socialist trade unionists. On 24 July 1936, six days after the Civil War broke out; a militant anarchist group led by 'Pedro el Cruel' kills Joan Salvans, filmmaker, and his father Francesc Salvans. A cyclist, not far from their house, finds their bodies 'La Barata'. Just about the same time when Joan's life unfortunately ends, a new saga of the other young clandestine filmmaker, Ernesto Noriega picks up the story line to guide us through his adventures. He is arrested and almost executed, but luckily survives and secretly film the prison and on way to Madrid. The twentieth century saw an unprecedented vitality of the Spanish spirit, but also an unpredictably sharp conflict between old and new, developed North and feudal South. What drove the anarchist 'Pedro el Cruel' to murder Salvans? And why did the Spanish army revolt against the Republic 1936? While searching for answers we travel through Spain's chaotic decade with the images and stories of several amateur filmmakers and their memories focusing on all sides of the front like republicans, anarchists, Communist, and the foreigner Brits, Germans, Italians, Americans, who fought on both side. El perro negro telling personal dramas, faults, faiths, illusions and desperation, the unseen side of an insane war. The workers self-government experiments, the multitude sufferings of civilians, the schism of the divided country, the revolutionary illusions, murders and the systematic massacres orgies of Franco's brutality changed once and for ever the universe of Unamuno, Lorca, Bunuel, Hernandez, Durruti, the royalists, and the Falangists. The rise, and fall of ideas, the final personal losses come near to our eyes. The unseen private films reveal the cruel and beautiful sides of the Spanish times - as a prelude to the World War II.
A film about the life of Lisl Goldarbeiter - the first and only Austrian Miss Universe - and her cousin Marci, who kept his camera trained on her throughout his life. A film about big-time fame and eternal love, set against the background of 1930s Vienna. Lisl Goldarbeiter's cousin, amateur filmmaker Marci Tenczer came from Szeged. He studied in Vienna, where he saved even his money for the tram to buy a camera and film and to pursue from time to time his passion for making films. It is through him that this bittersweet twentieth-century Austro-Hungarian life and family story has come down to us. Lisl, who grew up in Vienna in modest circumstances, first won the title of Miss Austria in 1929 at the Austrian beauty contest, finishing ahead of 600 other contestants. She finished second at the Miss Europe beauty contest in Paris, where the first Hungarian beauty queen, Böske Simon won. That year the beauty queens of the world set sail to the United States to compete against the American beauties in Texas. This is where Lisl was voted the first Miss Universe by a unanimous decision of the jury! Lisl, now suddenly world famous, received various invitations and an offer from Hollywood, and her company was sought after by many celebrities. She traveled extensively and, having rejected numerous suitors, finally married Fritz Spielmann, heir to a silk necktie fortune in Vienna. Marci Tenczer faithfully recorded it all on film. These golden years in Vienna came to an end when Hitler's Germany annexed Austria. They lost nearly everything in the war, and the adventure of suffering and life continued…
Simply Happy
A portrait of the generation of 'our parents' in the form of an unconventional documentary in which Dutch filmmaker Albert Wulffers and Hungarian filmmaker Péter Forgács look for the Dutch definition of family happiness in the Rotterdam post-war suburb Ommoord, utilizing 8mm films from the sixties made by amateur filmmakers living in Ommoord supplemented by quotations from interviews with these amateur filmmakers.
The Danube Exodus
In the travelogue The Danube Exodus,Forgács documents the Jewish exodus from Slovakia just before the beginning of World War II. In two boats, a group of nine hundred Slovak, Austrian Jews tried to reach the Black Sea via the river Danube, in order to get to Palestine from there. Forgács based his film on the amateur films of Captain Nándor Andrásovits, the captain of one of the boats. He filmed his passengers while they prayed, slept and even got married. At the end of this journey, it is clear that the boat will not return empty: a reverse exodus takes place, this time of repatriating Bessarabian Germans, fleeing to the Third Reich because of the Soviet invasion of Bessarabia.
El Perro Negro - Stories from the Spanish Civil War
El perro negro takes a clichés braking view of the Spanish Civil War trough a mesmerizing found footage collage. The saga begins in 1929 with the talented amateur filmmaker, Joan Salvans, son of a wealthy Catalan industrialist, of Terrassa. The Salvans were the object of admiration as one of the most successful wool manufacturer of Catalonia, but also of hatred by the emerging anarchists and socialist trade unionists. On 24 July 1936, six days after the Civil War broke out; a militant anarchist group led by 'Pedro el Cruel' kills Joan Salvans, filmmaker, and his father Francesc Salvans. A cyclist, not far from their house, finds their bodies 'La Barata'. Just about the same time when Joan's life unfortunately ends, a new saga of the other young clandestine filmmaker, Ernesto Noriega picks up the story line to guide us through his adventures. He is arrested and almost executed, but luckily survives and secretly film the prison and on way to Madrid. The twentieth century saw an unprecedented vitality of the Spanish spirit, but also an unpredictably sharp conflict between old and new, developed North and feudal South. What drove the anarchist 'Pedro el Cruel' to murder Salvans? And why did the Spanish army revolt against the Republic 1936? While searching for answers we travel through Spain's chaotic decade with the images and stories of several amateur filmmakers and their memories focusing on all sides of the front like republicans, anarchists, Communist, and the foreigner Brits, Germans, Italians, Americans, who fought on both side. El perro negro takes a clichés braking view of the Spanish Civil War trough a mesmerizing found footage collage. The saga begins in 1929 with the talented amateur filmmaker, Joan Salvans, son of a wealthy Catalan industrialist, of Terrassa. The Salvans were the object of admiration as one of the most successful wool manufacturer of Catalonia, but also of hatred by the emerging anarchists and socialist trade unionists. On 24 July 1936, six days after the Civil War broke out; a militant anarchist group led by 'Pedro el Cruel' kills Joan Salvans, filmmaker, and his father Francesc Salvans. A cyclist, not far from their house, finds their bodies 'La Barata'. Just about the same time when Joan's life unfortunately ends, a new saga of the other young clandestine filmmaker, Ernesto Noriega picks up the story line to guide us through his adventures. He is arrested and almost executed, but luckily survives and secretly film the prison and on way to Madrid. The twentieth century saw an unprecedented vitality of the Spanish spirit, but also an unpredictably sharp conflict between old and new, developed North and feudal South. What drove the anarchist 'Pedro el Cruel' to murder Salvans? And why did the Spanish army revolt against the Republic 1936? While searching for answers we travel through Spain's chaotic decade with the images and stories of several amateur filmmakers and their memories focusing on all sides of the front like republicans, anarchists, Communist, and the foreigner Brits, Germans, Italians, Americans, who fought on both side. El perro negro telling personal dramas, faults, faiths, illusions and desperation, the unseen side of an insane war. The workers self-government experiments, the multitude sufferings of civilians, the schism of the divided country, the revolutionary illusions, murders and the systematic massacres orgies of Franco's brutality changed once and for ever the universe of Unamuno, Lorca, Bunuel, Hernandez, Durruti, the royalists, and the Falangists. The rise, and fall of ideas, the final personal losses come near to our eyes. The unseen private films reveal the cruel and beautiful sides of the Spanish times - as a prelude to the World War II.
Lumen Film
Korte Prinsengracht 17D
1013 GN Amsterdam
Korte Prinsengracht 17D
1013 GN Amsterdam
Phone:
+31 20 623 26 00
Fax:
+31 20 625 48 30