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www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Peters Jan

Time's Up
Being confronted with the finiteness of life in a car accident while having theirunborn baby inside, the filmmakers Marie-Catherine Theiler and Jan Peters suddenlyrealize that their lives have become way too hectic. They spend too much precioustime rushing from one appointment to another, hunting deadline after deadline. Theydecide to change their lives and slow down. But how? During a humorous odysseyfrom one time-expert to the next, Marie-Catherine and Jan ask the questions most of us would like to know the answers to… Within the timeframe of Marie-Catherine's pregnancy, the directors of TIME'S UP leave no stone unturned, examiningwith wit and irony how today's society – and above all they themselves – deal with the subject of 'time'.

Born in Hannover in 1966. Studied at Hamburg Art Institut HfbK. Co-founded the filmmakers group Abbildungszentrum in 1994. Besides award-winning short and feature films such as How I Became a Cave Painter or How I Became a Freelance Tour Guide, Jan Peters also creates radio plays and participates in art exhibitions. Lives and works in Berlin. Filmography: 2008 - Two or Three Takes for One Idea. 2007 - Roadmovie. 2007 - How I Became Particularly Valuable. 2007 - How I Became a Freelance Tour Guide. 1990 - 2006 - ...But I Still Haven't Figured Out the Meaning of Life. 2004 - 13 or 14. 2004 - Bye Bye Tiger. 2001 - How I Became a Cave Painter. 2000 - I Am 33. 1999 - December, 1-31. 1998 - November, 1-30. Audiography: 2006 - My Little Corrections. 2001 - You Got 25 Messages. 2001 - A Terrible Journet, Expanded Cinema Performance
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Breathless - Dominance of Moment - 2008
Breathless - Dominance of the Moment - 2009
2008 - Award for the best film of Swiss Competition (VIDEOEX Zurich) for TWO OR THREE TAKES FOR ONE IDEA 2007 - German Film Critics Award for the Best German Experimental Film (European Media Art Festival, Osnabrueck), Award "Der Findling" (FilmKunstFest Schwerin)/ Audience and Jury Awards (Int. Short Film Festival, Hamburg)/ Audience and Jury Awards (Int. Videofestival, Bochum)/ Max-Bresele-Award (Shortfilmweek Regensburg)/ Audience Award of Landeshauptstadt Wiesbaden (Exground Filmfestival, Wiesbaden) / Critics Award (Young Collection, Bremen)/ Award for the Best Documentary (Filmfestival Landau)/ Special Mention (Videoformes, Clermont-Ferrand)/ "Video mixte" Award (Shortfilmfestival Nizza)/ for HOW I BECAME A FREELANCE TOUR GUIDE 2004 - Prix de la creation (Videoformes, Clermont-Ferrand), Prix Point de Vue (Biennale de l’image en mouvement, Genf) for 13 OR 14 2001 - BMW-Shortfilmprize (Regensburger Kurzfilmwoche), NORMAN 2003 – Award for the Best Film (Filmwinter Stuttgarter) for HOW I BECAME A CAVE-PAINTER 1999 - FIPRESCI-Prize (Sarajevo Film Festival), 3sat Prize (Duisburger Filmwoche), Documentary Film Award (Independent Cinema Festival, Barcelona) for DECEMBER

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