DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Seeber Michael

Aftermath - The Second Flood
The Nicobars are a small archipegalo in the Indian Ocean, where one of the last indigenous people lived almost like in a time capsule for 900 years. When the Tsunami struck them in 2004 not only a third of their population died but they were also thrown into a modern world through the wave of aid and relief organisations that arrived on their shores. This aftermath proved to be a bigger catastrophe for their culture than the Tsunami. Today the organisations are leaving and the money is spent. But the Nicobaris embark on the search for a new identity.

Attention: State Frontier
"I often felt ashamed from the bottom of my heart for being Austrian", says filmmaker Sabine Derflinger. In ACHTUNG STAATSGRENZE she introduces rejected asylum seekers who are locked up in the police prison of Linz, waiting for their deportation. Rejected asylum seekers who are found by the Austrian aliens police are sent to prison for a maximum of six months, pending their expulsion. In prison they are being treated as if they belong to the category of tough criminals: ten minutes of fresh air a day, three minutes of monitored phone calls a week and one ten-minute shower a week. In 1995 15,000 people met with this fate. ACHTUNG STAATSGRENZE is the first Austrian film that takes these confined refugees' predicament to heart.

Everyday Rebellion
What does the Occupy movement have in common with the Spanish Indignados or the Arab Spring? Is there a connection between the Iranian democracy movement and the Syrian struggle? And what is the link between the Ukrainian topless activists of Femen and the anti-government protests in Egypt? And to top it off, what do Serbia and Turkey have to do with all of this? The reasons for the various uprisings in these countries may be diverse, but the creative nonviolent tactics they use are strongly connected. These methods are inventive, funny, and sometimes even aggressive. Everyday Rebellion is a documentary and a cross-media project celebrating the power and the richness of creative non-violent protest and civil disobedience worldwide.

The Global Town
Shopping centers have been booming in European cities for many years. They are very popular for the customers but also controversial in public discussions. They are changing economic structures, social relations and form the appearance of our cities. The documentary "Global Town" (working title) of Ulli Gladik follows this movement: the film meets and follows important players in development, marketing and architecture, also politicians, consumers and retailers in different countries all around Europe - in Germany for example, where a new trend of inner city shopping malls is currently arising on the other hand in Romania a boom and bubble was recognized.

What's Wrong With a Free Lunch?
A crucial question: who owns the world? An economist tracks down a new spectre, haunting the planet – unconditional basic income. The film covers a fundamental issue – the question, who owns the world. From the diamond filled Namibian deserts, Mongolia’s copper mines and Alaska’s oilfields to Japan’s megacities and the world’s most renowned universities and think tanks, we travel to parts of the planet, which exemplarily stand for the earth’s resources (both material and immaterial ones). These places represent the underlying theoretical framework at a meta level in long, even-tempered shots, which shift the audience’s attention to a state of abstraction. The film’s theoretical superstructure is a reflection on classic liberal theories and moral concepts of the age of enlightenment, that more than ever shape modern, western societies.

Michael SeeberMichael was born in 1954 in Innsbruck (Austria) and studied Biochemistry in Innsbruck and Mainz (Germany). He founded a cellar theatre in Innsbruck being active not only as a director but also as an actor on stage, and started writing his first scripts and novels. He was awarded the Theodor Körner Price for Literature by the Federal President of Austria in 1986. In 1988 he set up the Vienna-based film production company Prisma Filmproduktion GmbH. Since then he has been working as a scriptwriter, director, developer and producer.From 1994 to 1998 Michael was a Board Member of Documentary, the documentary funding section of MEDIA I. In 1995 he participated in the training programme EAVE.Michael‘s credits include more than thirty creative documentaries for cinema and TV as well as feature films (partly international coproductions), a.o. internationally awarded films as Luna Papa (1999) and Bella Martha (2001).A selection includes the documentaries Postadresse 2640 Schlöglmühl (1990), Schuld und Gedächtnis (1992), Emigration N.Y.(1996) and the TV-documentary Die Risikogesellschaft (1995) all by directed by Egon Humer. Further the documentaries Koshmar (1992) by Heinz Stussak; Teddy Kollek (1995) by Amos Kollek; Rest in Pieces (1997) by Robert Pejo; Am Stein (1995) by Othmar Schmiderer, and Erwin Chargaff (1996), a TV-documentary by Ebba Sinzinger. Feature film productions include Die totale Therapie (1996) by Christian Frosch; Beresina (1999) by Daniel Schmid; Luna Papa (1999) by Bakhtiar Khoudojnazarov; Lovely Rita (2001) by Jessica Hausner; Bella Martha (2001) by Sandra Nettelbeck, and Vollgas (2002) by Sabine Derflinger.Since early 2007, Michael has been working as a freelance producer and scriptwriter, most recently in close cooperation with Golden Girls Filmproduktion GmbH, Vienna (Austria). Since 2009, Michael has been working as a tutor and adviser for the MEDIA training programme SOURCES 2 (Stimulating Outstanding Resources for Creative European Script Writing).
Golden Girls Filmproduktion & Filmservices GmbH
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A-1070 Vienna
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