DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

East Doc Platform

This interactive seminar will focus on current topics of the changing landscape of the TV market. The broadcasters have to adjust the structure to the new distribution of roles, lower budgets and increasing demand for competitiveness. The linear system of broadcasting is at the crossroads. Bjorn Erichsen and Paul Pauwels will discuss the current situation and in dialogue with the participants try to answer questions that have recently come up.

 

TV and Media Management | October 27 | 15.00-19.00
Seminar held by Paul Pauwels and Bjorn Erichsen

Open for: Industry + Press accreditations
Where: Secondary Graphic Art School

 

Seminar overview:

Broadcasting is undergoing major changes. Not only do the internal structures of the broadcasters have to change to cope with lower budgets and higher demands: the whole concept of linear television (push television) is being challenged.

The traditional organization of a broadcaster does not function anymore. The world has changed and this has to be reflected in different and more up-to-date management structures. Not all broadcasters have understood this message. In some of them a battle is raging between the “old” generation that holds on to their privileges and those who have understood that a modern approach to the medium is necessary. The same blind spot can be found with certain governments who think that State Television is still the ideal.

The competition has become fierce: audiences have the choice between public television, linear commercial television, numerous digital channels brought to them by cable and satellite, IP-TV is becoming stronger by the day… You have to be VERY good or you disappear.The technological developments have created possibilities (that only a few years ago would have been considered to be science fiction) to reach the audience. In response, the audience itself has changed. No longer content to consume what can be seen on the traditional broadcasters’ screens they want to look and listen to what they want, when they want it and where they want it. And what is more… they want to be involved! The time of interactivity and Pull TV has arrived.

How important will IP-TV become now that connected TV is on the doorstep, will Google TV and YouTube become the audience’s fancy? Do younger generations want a big screen of will they happily consume content from their mobile phones? How important is international collaboration? What are the advantages and the disadvantages? Should you look across the border or is it safer to stay within the own territory?

All these are items that will force you to rethink your way of looking at the medium and will change your way of working within. Like it or not, soon you’ll be forced to reflect on how you function today and how you have to change your ways to function well tomorrow. These and other questions will be touched upon in an information session by former Director TV of EBU BJoern Erichsen  (Denmark) and  Paul Pauwels, the director of the “European television and media management academy” (France). (www.etma-academy.eu).

Together with you they will discuss the actual situation and the expected developments. They will do this during a highly interactive session for which your input and opinion will be of the essence. No ex-cathedra lecturing but high-level professional exchanges. The aim of the session is  – to quote Woody Allen – to get answers to everything you wanted to know about tomorrow’s television but were too afraid to ask.

One to one meetings and informal discussions with glass of wine after the session.

 

Erichsen Bjørn

Bjørn Erichsen
ocuppation: Consultant
country: Denmark
Born February 3, 1949. In 1979 graduated in history from University of Copenhagen. 1972-91: lecturer at Krogerup Folkehøjskole (economics, history and political science). 1981-91: programme producer, DR TV. 1991-96: founder and principal of the European Film College, Ebeltoft. 1996-01: Managing Director of DR TV. 2001-01: Chairman of the Board, Nordvision. 2000-01: Chairman of the board, Nordmagi A/S. 2002-10: Director of Television, European Broadcasting Union (EBU) in Geneva. Full member of the Executive Committee and responsible for all TV and New Media activities, except sport and news. Since 2010, International TV Consultancy Expert, currently working for Ictimai TV in Azerbaijan, BTRC in Minsk Belorussia, the film company Working Title in London UK. Lecturer at the Academy of Journalism in Kiev, Ukraine, and the European Television Management Academy (ETMA) in Strasbourg, France.

 

 

Pauwels Paul

Paul Pauwels
ocuppation: Producer
country: Belgium
company: ETMA - European Television & Media Management Academy
Paul Pauwels has been working as a unit manager and production manager on several Flemish feature films before founding in 1985 his own production unit Periscope Productions NV, specialising in factual production. Several of Periscope’s documentaries were awarded internationally. After selling his company in 2004, Paul Pauwels worked for a two-year period as Programme Manager at Flemish public broadcaster VRT. Having left the broadcaster in 2006 he became the director of the "european television and media management academy" (etma), a position he holds until today. Extensive experience in consulting and tutoring (sessions in almost 30 countries over the past 15 years). He’s teaching Documentary Production at the Flemish Film School KHLIM (Genk) and is regularly invited to moderate pitching sessions. Member of the selection committee for documentary projects of the Flemish Film Fund (VAF). Degree in Directing and Production of Belgian Film School RITCS, where he graduated in 1979.