DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Off the Beaten Track

The film chronicles one year in the life of Albin and his family of shepherds in the North of Transylvania. In direct cinema style, this documentary follows their day to day routines, and their struggle to adapt to a new world where traditions are gradually replaced by modern values. Since joining the EU, Romania has been facing, like several other Eastern European countries, the pressure of modern values, introducing in farmer's lives the cruel notion of competition, the temptation of migrating to the higher salaries abroad, and the marginalisation of locally produced food against industrial products.

Artel

A classic of Russian documentary film he also stamps his typical hallmark on his latest film. Long shots fragmented with fade-outs, a sophisticated composition and the effective use of 35 mm black-and-white film. Loznitsa is able to raise seeming banality to the status of an artistic testimony indirectly reminiscent of the classics of Russian cinema. On this occasion, he takes his camera along to record an attempt to catch fish in a frozen lake in the middle of the snowy Russian plains. In this harsh natural environment, four young men try to rip from the frozen depths of nature something which will provide them with a livelihood.

Blockade

The siege of Leningrad has become one of the legends of the 2nd World War. It lasted for 900 days, and it was not until the 1st of March 1944 that the enemy stranglehold on the city with its several million inhabitants relaxed. The city was constantly bombarded, faced hunger and freezing temperatures, but its people kept on working and adjusted their lives to the situation. The film is compiled from authentic news footage. Individual shots have been grouped in thematic passages about various different aspects of the reality of the siege. The director has added no commentary, and his reanimation of the past is based only on the image and evocation through sound. The film thus gets behind the legend to the real life of people in inhuman conditions, which made everyday existence a struggle for survival in the face of the constant presence of death. The sense that the audience has of living through the events derives from both the immediacy of the images and the rhythmic arrangement of the material, which includes hitherto unused footage of the blockade.

Landscape

Winter. Bus stop in a small village. People are waiting for a bus. They talk. Listening to their conversations the viewer can imagine the world they live in. United by the movement of the camera, the whole place and the people blend together.

Life, Autumn

It was filmed in rural Russia, near the city of Smolensk. It shows a small village, where all young people are gone and only older people are left. There is shortage of basic material necessities, but at the same time they are in possession of the simple, but most important core values and elements of life: their Village, Time, Friends and Family, Children, Wedding, Thunderstorm, Morning, Conversation, Happiness, Death, Sun, Winter, and Love.

Northern Light

Just before winter cloaks everything in the Arctic night, a few hours of daylight linger in late autumn in the village of Sumskoy Posad, one thousand kilometres north of Saint Petersburg, in Karelia, on the shores of the White Sea. Linked to the rest of the country by a vague muddy track and a stretch of railway line, the village lives in a suspended and mysterious dimension. This is the Russia of endless forests and potato fields. A few robust and uncompromising characters work calmly there, driven by no vital needs. Two small girls have just been adopted by a family. The woman is sweet and soft-spoken, whereas the man is hot-tempered. It is Chekov’s Russia: still happy, yet torn apart, and cold.

Portrait

This movie is a collection of still pictures of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.

Settlement

This movie is about a day in life of the settlement for people with mental problems. Located in a peaceful countryside, it conveys an image of a pure, happy place, where people live and work together, in complete harmony. But there is a growing unexplainable feeling of anxiety and hopelessness.

Today We Are Going to Build a House

This movie is about one day on the construction site. To the casual observer it looks like not much is happening at the site, but in reality a very efficient process takes place below the surface. And by the end of the day the house is ready. This film is about the power of group of trained professionals, united by a common goal.

Factory

This film depicts one day of an operating fabric. It consists of two parts: the first one is called Steel, the second Plaster. This film is about a human being as a part of human world. Metal produced by people enslaves them and reduce their lives to pure reflexes.

 

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