DOKweb Content is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Crulic - The Path to Beyond

The animated documentary feature "Crulic - The Path to Beyond" tells the story of Crulic, a 33-year-old Romanian who died in a Polish prison while on a hunger strike. The story is told from the point of view of Crulic, in the present tense, after his death. A strong visual style, the result of beautifully blending hand-drawn collage, stop-motion and cut-cut animation techniques, create a striking, surprisingly integrated and memorable film.


Gottland provides an unconventional look at Czechoslovak 20th century history. This film consisting of short stories portrays peculiar fates – the Letná Plain with the largest statue of Stalin replaced by a huge billboard depicting Václav Klaus, the love affair between the actress Lída Baarová and Joseph Goebbels, the story of Eduard Kirchberger, a pilot/author in the services of the Czech State Security Service, Tomáš Baťa’s vision of assembly line production and the tragic decision of Zdeněk Adamec to self-immolate as a form of protest against the state of society. The film Gottland was inspired by the bestselling book of the same title by the Polish journalist Mariusz Szczygiel.

Bohemia is Greek to Me

A film about the history of Czech Germans on behalf of the story of Anna Cisar and connected stories of e.g. the director Samuel Fuller and the writer Lenka Reinerová.

EM and HE

This documentary, free of any censorship or even self-censorship, is dedicated to two unconventional artists and friends from Litvínov. Em Rudenko, a non-conformist Ukrainian construction worker, poet and alcoholic, is an author of absurd and sexually tinged poems from the working-class environment. Xavier Baumaxa is an original performer, poet and an underground bard. In his work he parodies every possible genre, caricatures celebrities and ridicules more or less everything. The film director Vladimír Michálek followed both of these artists for more than two years on their journeys between their concerts, on the travels from one bizarre place to another and shot many of their performances, concerts and parties. The film features the most famous songs by Baumaxa: the grotesque 'ethno' Pozitiff Peopula, an anti-Nazi ballad Nazijazz and others. The film captures also an inter-genre project with the dumb-show called Silent Love and it presents previews from the ironic show Opičan Havel or a performance with Radim Hladík, Dan Bárta and Lenka Dusilová. A film about booze, cigarettes a ramble to and secret gig.

Year Of Marihuana

Year of Marihuana follows a whole range of people dealing with cannabis, approaching its use from various perspectives. It introduces professor Hanuš, a scientist who dedicated his professional career to cannabis research. There is also Dušan Dvořák, an activist and founder of the "Cannabis Cures“ foundation. The film follows several patients who use cannabis as a cure for their diseases such as cancer or multiple sclerosis, presented is an official cannabis green house in Israel where cannabis is grown and handed out to patients. We see a variety of perspectives of politicians, police officers and addiction experts, conferences in the Czech parliament, footage from the Million Marihuana March and protests against cannabis riminalization. The film outlines the possibilities and limits of the medical use of cannabis. The questions of personal freedom and the right to health are also discussed.

Eugenic Minds

Selective human breeding during a time of ideologies that promised to create a perfect world. Eugenics was once considered more groundbreaking than the invention of the wheel. It was supposed to save mankind from serious genetic loads. After World War II, the term of eugenics almost disappeared from the world's dictionaries. Pavel Štingl revives the idea of eugenics, but presents it as an example of messianic syndrome and misuse of science. Will humanity survive eugenics or vice versa?


This is the story of two generations of neo-Austrians - „darkheads“, as they call themselves - born and raised in Europe, but misfits nonetheless. Nazar, our 25-year old protagonist, an armed robbery suspect, is released from prison and confronted with his troublesome financial situation. Jobless, he seeks sanctuary in a world where he is respected and well-known - in the world of German rap music. While confronted with this situation, Nazar and his two best friends look back at a life of disruption - shattered families, street life and delinquency. A past connecting them with the present life of a new generation of immigrant descendants...

I Will Marry the Whole Village

Peca, an accordion player, has decided to marry all the unmarried men in his village. His motto is „I’m going to marry the whole village, even if I regret it“. He is naive, he is a modern Don Quixote. Doccomedy – a music documentary about a Serbian village and an ordinary man who wants to change the system. Peca, has decided to take the matter into his own hands and to carry out a great project aiming at marrying the young and old by attracting women to the village. And to get married himself in the end.

Face to Face Encounter

The clash of two entirely different cultures. A little group of teenagers from Kenyan slum came to Czech republic. They are MYSA's football team members. The real challenge, however, comes when they are living within Czech host families. Extremely different mentality, different life conditions and habits...

Czech Film Avant-Garde

Although the first avant-garde tendencies in the field of Czech film appeared already in the 1920s, primarily in the form of unrealized literary scripts and isolated cinematographic attempts, it was only in the 1930s that "Czech film avant-garde" came into practice. In this period, a whole range of primarily short films were made, showing signs of the avant-garde programme tendencies as well as references to other European movements. The primary aim of the audiovisual documentary is to map the phenomenon and introduce it to the contemporary viewers. Besides a basic introduction to the theme, the film will also deal with the avant-garde subjects and scripts of the 1920s, the key representatives of the movement and their films, the formal and thematic influence of European avant-garde movements, the relation between the Czech avant-garde movement and the period mainstream production, the transition of several avant-garde artists to the Zlín environment in the mid 1930s as well as the potential continuation of Czech film avant-garde in the following decades. As for the formal aspect, the documentary will have the form of a compilation film, employing a mosaic of accounts by key film historians, theorists, practitioners and contemporaries (or their descendants), combined with archive material excerpts, contemporary thematic scenes and respective audiovisual works.


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