DOKweb Content is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities

Founded in 2001, INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of Central and East European creative documentary film and its wider promotion.

We work closely with Central and East European film directors and producers and provide in-depth development support for their projects as well as international promotion.

We also work with key international festivals, broadcasters, distributors, sales agents, markets, film institutions, film schools, MEDIA Desks, training programmes, national film centres and various film portals, and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM – an indispensable source of documentary projects and films from Central and Eastern Europe.

Leonid's Story

A Soviet family searching for a modest paradise is swept into an immense disaster. Chernobyl 1986. Leonid grew up in the village next to the reactor. The film comprehends the development of this world disaster through the destiny of the protagonist and his family. The small episodes reconstruct the emotional dimension of the tragedy: The children who run to the burning reactor, getting a look at the spectacular drama, the unsuspecting village people in the surrounded area, the animals which remain behind after the evacuation, and the helpless tries of mankind to eliminate the impact of the nuclear disaster, accompanied by the faceless Soviet system. In the end there is a happy ending: The triumph of life over the disaster.

Old Mountain

In a Serbian village on the slopes of Stara Planina live 15 households. The youngest man in the village is 70 years old. The film gathers the intimate thoughts of the inhabitants of this village, whose wait for death is marked not by loneliness but by a common bond. The reduced nature of their daily life speaks not of poverty but of a spiritual wealth. Though without heirs or much of a future, they are not crushed by their solitude, but thankful for the life given to them. By observing their life, which is focused on the details of daily tasks, through deliberate movement and silent gestures, we discover people in harmony with the cycles of nature. In presenting their most intimate reflections on isolation, wilderness, life, love, this film is a testament of their preparations for their journey.

Over and Out

Today the rescue worker Martin goes to work just like he did for the last six years. But this is not a normal day for him. It is his last day at Kolga-Jaani Command Unit. Martin and his six colleagues will lose their jobs due to a national cost-savings programme when their Command Unit in a remote Estonian settlement is closed down for good.


Oxygen is a free re-enactment of a real case: a man who tried to cross the Danube illegally using an oxygen cylinder, to escape the communist Romania. Yet, the facts are reinterpreted in a highly subjective vision. On the border between fiction, documentary and visual art, the film depicts an emotional landscape, a man’s inner journey towards a healing hereafter. During the communist dictatorship in Romania (1945-1989), thousands of people risked their lives in the attempt to run away from the country. Despair made them invent the most incredible methods to cross the border illegally. Some of them managed to escape, but many lost their lives in these attempts.


Following the life of a Polish paparazzo who tracks down the rich and the famous, the film depicts a world in which values are confused and rules are flexible. Yet it also shows that there is always a second chance for us to make our minds up about what kind of people we will be tomorrow.

A Letter to Dad

"Hey Dad, you died suddenly." The filmmaker, trying to make sense of the way his father chose to die, opens several boxes, all that is left behind. The forgotten photos, letters and home videos take the film back to the 1970s Yugoslavia, when his parents became lovers. But the journey through the years, to family members, lost friends and places, reveals the lingering horrors of the recent Balkan wars still tearing people and families apart. A film that, in the most immediate way, questions the individual responsibility of ordinary people caught in the winds of war.

Victoria from 8 to 9

A cement filling in a dream-like landscape - the inheritance left by the infamous chemical plant is the town of Victoria and a mysterious smell difficult to endure. Through pieces from the funny absurd life of the Victorians, the film reveals the heart and soul of a small town, born to be communist and made overnight European city.

I Love You

Pavel Kostomarov and Alexander Rastorguev join forces in this modern experiment, in search of a new film language and new methods. There are three stories of three young male friends from Rostov-on-Don. The authors were casted from fifty open-minded non-professionals who would not be scared to use a camera themselves and who could record their own lives while being totally natural. The directors have chosen those real life stories of people who were interlinked with one another and built up a mosaic of their life episodes, with love as the leitmotief. The result is a fascinating melodramatic story using the dynamics and language of YouTube. It also is an inexpensive movie of the collegial authorship that marks the contemporary era.

Motherland or Death

What does a person imagine when they hear about Cuba? Especially those who have never been to this sea-locked state in the Caribbean basin. They probably think of cabriolets driven by glowing fair-haired men in colorful shirts, drinking cocktails and dancing with mulatto ladies, the endless ocean reflected in their eyes. In reality there only exists the endless ocean that cuts the island from the rest of the world. It is hard to find any other country where the discrepancy between its image and reality is as huge as on Cuba. For more than 50 years the state has been following the battle cry of the winning revolution - “Patria o Muerte”. For more than 50 years the battle cry has been a daily dilemma for several Cuban generations. Our movie is about people who were born before the revolution and now are coming closer to the end of their lives when it becomes clear that for them “Motherland” equals “Death”.

Night Shifts

They are not just awake; they live at night and with the night. Night Shifts is a portrait of an alternative world. The film follows the trails of people in Berlin who are invisible during the day, accompanying them on their nocturnal paths through the metropolis, which are marked by pragmatic routine, desires, and dangers. "It’s always night, or we wouldn’t need light." (Thelonious Monk)


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