DOKweb Content
www.DOKweb.net is a portal dedicated to East European documentary film. The news section provides up-to-date information on upcoming and just completed films, interviews with filmmakers and other documentary professionals, in-depth articles exploring the state of documentary filmmaking in various parts of the region, as well as insightful texts on current trends, funding, etc. The portal also boasts the largest published databases of completed and upcoming documentary films from Eastern Europe, an industry directory, as well as trailers and original video content. www.DOKweb.net is IDF´s key online project that provides comprehensive details on all IDF´s activities and links them with general information service.
Institute of Documentary Film’s Activities
Founded in 2001, the INSTITUTE OF DOCUMENTARY FILM (IDF) is a non-profit training and networking centre based in Prague, Czech Republic, focused on the support of East European documentary films and their wider promotion. Our activities support filmmakers through all stages of completion – development, funding, production, post-production, and distribution. We aim at individual filmmakers (tailored consultations), groups of carefully selected professionals with projects or films (Ex Oriente Film, East European Forum, East Silver, Doc Launch, etc.), broader professional community (East Doc Platform), as well as the general public (portal www.DOKweb.net). We closely work with key int. festivals, broadcasters, distributors, sales agents, markets, or training initiatives and serve as the GATEWAY TO EAST EUROPEAN DOCUMENTARY FILM.

Djangarchi

Djangarchi is a film about Oleg Mankuev, one of four throat singers, the Djangarchi, from Kalmikija. Kalmikija is an autonomous republic of the Russian Federation and the only Buddhist country in Europe. Djangar is an epic poem that has been sung since ancient times. This poem is the carrier of national pride and identity of the people of Kalmikija throughout generations. Djangarchi has also been called ‘the carrier of eternity‘. Conceived as an exciting road movie documentary, the film follows Oleg's journey from Kalmikija to Croatia, in search of his own identity and new musician friends. By singing this old epic poem, Oleg is about to leave his motherland Kalmikija and is about to go to Rijeka (Croatia) to cooperate with Damir Martinovic, the frontman and the producer of Let 3, a famous and surely the most eccentric Croatian band.

Mechanical figures

Inspired by Nikola Tesla, this visually intriguing animated/interactive documentary guides the viewer through the creative process. Twirling around the world, from Zagreb, through London, Paris, Budapest, New York, Tokyo and New Zealand, capturing the present, the future and the past of technological and social development initiated by some of Tesla's inventions, from alternating current to radio, the film questions the synergy of creation and sustainability through a story about art, science and technology, featuring Laurie Anderson, Terry Guilliam, Marina Abramovic, Andy Serkis and Hiroshi Matsumoto, amongst others.

Summerhouses

The art documentary film Summerhouses will capture the rapidly disappearing, specifically Czech phenomenon, the architecture of summerhouses. It is about summerhouses in which the striking personality of their builder – in the negative or positive sense – is reflected. They are the embodied form of human dreams, for these buildings create their own worlds which are an escape from the reality of the everyday. They are not emergency shelters; they are the architecture of an abstracted human happiness. The changes in society are reflected in them under the pressure of the time, the fettered human longings, opinions, a certain type of ‘trampish Romanticism‘, a longing for nature, for freedom, but also for community and creativity, linked with a do-it-yourself instinct, and a relative absence of religion. In the Czech countryside they are impossible to overlook and at the same time rapidly and irretrievably disappearing.

On Decency

Mr. K., a sturdy miner in his fifties, sits in the living room of his spacious apartment in a block of flats. He is exhausted and can hardly control his emotions. He is on the verge of crying. "I hate them. The only thing they know is how to make children, destroy things and mess around. That's their culture." Mrs. E., a well-dressed elderly lady, is sitting at her favorite table in her favorite restaurant. "The new owners started letting them in. So we explained to them that if they turn it into a gypsy bar we'll stop coming. They stopped letting them in. It's been quiet ever since." A film essay about decency. Everyday banal situations shed light onto those dark, hidden places in us that unveil the thin border separating normality from abnormality and point to the failure of the multicultural social model.

Phantom Pain Mladic

Devil's Choice

Sofia's Last Ambulance

In a city where 13 ambulances struggle to serve a burgeoning population of several million, 47-year old Krassi Yordanov is our unlikely hero: chain-smoking and saving lives in a non-stop 48-hour shift. Krassi is the emergency doctor on one of Sofia’s last ambulances and today is the worst day of his life. This is a film about the regular working day of Dr. Krassi, nurse Mila and driver Plamen, a team working on an ambulance in Sofia, the capital of Bulgaria. Struggling against an avalanche of absurdities in a crumbling medical system and scarcely earning enough to make a living, these three are simply trying to do what they do best – save lives.

Naked

Three generations and six decades ago a young man disappeared for four years. During this time both him and his family suffered wounds that broke them for years. This young man was my grandfather, and his family is my family. For decades the subject of grandfather’s prison days remained taboo. Our family was built on screaming pain hidden under the veil of silence. With the fall of communism we learned that my grandfather was interned in the Gulag-like camp Goli Otok (Naked Island). Last year a group of our close family friends appeared in a newspaper, and the headline read - Naked Island survivors speak out for the first time. Through grandpa’s fellow inmates, members of our family and sealed archives I am able to find a connection to my grandfather which I did not have in his lifetime.

Kaplinski System

Two friends, one a French photographer and filmmaker, the other a famous Estonian thinker and poet. Two people from two different generations, but a great friendship. For several weeks, Räphael Gianelli-Meriano filmed Jaan Kaplinski’s everyday life at his house in the countryside, in his domestic context. Jaan Kaplinski is an appreciated literary figure. His poems have been translated into twenty different languages and are read on every continent. He has often been nominated for the Nobel Prize in Literature. Raphäel Gianelli-Meriano loves Estonia and he realized many films and a photographic work about the Estonian country. This film is a reflection on the role of a contemporary poet, on nature as he sees it and the current place of poetry in our world.

Everything Is Possible

A cottage with a small garden at the edge of the village. Windows decorated with geraniums. The two elderly dwellers, Teresa and Jan, couldn't be more different. She starts her mornings with a heart-pumping exercise routine, and keeps busy all day. He moons about the house as if he had all the time in the world. Here, he spends some time on his art piece, there, he whistles a few bars with the birds outdoors. Their love is gone, but divorce is out of question, so the couple stays under one roof living their separate lives. Hadn't Teresa revolted she would have lived like that till the day she died. Despite her poverty, failed marriage and depression, she decided to see the world as a hitchhiker. Since her first journey fourteen years ago she goes on the road every year.

 

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